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REFERENCE LIST

Bachelard, Gaston. 1969. The poetics of space. Boston: Beacon Press.

 

BFS Design. 2012. Tankstelle Bülowstrasse, gallery / residence. Berlin, Germany. Inhabitat https://inhabitat.com/tankstelle-bulowstrasse-is-a-renovated-gas-station-turned-art-gallery-residence-in-berlin/ [accessed April 8, 2020]

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Chitty, Gill. 1987. A prospect of ruins. York: Transactions ASCHB, Volume 12.

 

Clark, Kate. 2001. Informed Conservation: Understanding Historic Buildings and their Landscape for Conservation.  London: English Heritage.

 

Clarke, David. 2008. Chuffing marvelous, effing great and friends, sculpture. Pewter, cast white metal,  silver plated nickel silver, dimensions vary. Misterclarke Wordpress: https://misterclarke.wordpress.com/2009/12/05/chuffing-marvellous-effing-great-and-friends/ [accessed April 2, 2020]

 

Closes, David. 2011. Convent de Sant Francesc, church / cultural facility. Glass, brick, concrete. Santpedor, Spain. ArchDaily: https://www.archdaily.com/251389/convent-de-sant-francesc [accessed April 8, 2020]

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Connor, David & Darby, Kate. 2017.  Croft Lodge Studio, studio. Steel, timber, black corrugated iron. Herefordshire, England. Dezeen Magazine: https://www.dezeen.com/2017/10/13/croft-lodge-kate-darby-architects-david-connor-design-conversion-studio-house-ruins-18th-century-cottage/ [accessed April 26, 2020]

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Embaby, Mohga E. 2014. Heritage conservation and architectural education: “An education methodology for design studios”. HBRC Journal.

 

Erder, Cevat. 1986.  Our Architectural Heritage: From Consciousness to Conservation.  Paris: UNESCO.

 

Flores & Prats Architects. 2016. Sala Beckett, performing arts centre. Barcelona, Spain. Architectural Review: https://www.architectural-review.com/buildings/ghost-storeys-sala-beckett-theatre-in-barcelona-spain-by-flores-and-prats/10026799.article [accessed April 10, 2020]

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Giménez, Cecilia. 2012. Ecce Homo, restoration on fresco painting, 50 x 40 cm. The New York Times, Aug 23, 2012: https://www.nytimes.com/2012/08/24/world/europe/botched-restoration-of-ecce-homo-fresco-shocks-spain.html [accessed April 8, 2020]

Hirst, Damien. 1997-2005. The Immortal, sculpture. Glass, painted stainless steel, silicone, stainless steel, monofilament, shark and formaldehyde solution, 26.1 x 51.4 x 24.4 cm. Damien Hirst: http://www.damienhirst.com/the-immortal [accessed April 10, 2020]

 

Hollis, Edward. 2001.  The Memory Palace: A book of lost interiors. Portobello Books Ltd.

 

Le Corbusier. 1986. Towards a new architecture. New York: Dover Publications.

 

Le Corbusier. 2013. City of Tomorrow and Its Planning. New York: Dover Publications.

 

López Osorio, José Manuel. 2016. Baena Castle Restoration, castle. Sandstone, stainless steel, timber. Baena, Spain. ArchDaily: https://www.archdaily.com/779486/baena-castle-restoration-jose-manuel-lopez-osorio [accessed April 8, 2020]

 

MAP Architects & Mast Studio. 2016. Kalø Tower Visitor Access, public landmark. Steel frame, ash wood, metal, glass. Rønde, Denmark. ArchDaily: https://www.archdaily.com/802994/kalo-tower-visitor-access-map-architects [accessed April 13, 2020]

 

Martínez Lapeña, José Antonio & Torres, Elías. 1991. Ibizia Castle Renovation, castle. Sandstone. Ibizia, Spain. José AntonioMartínez Lapeña & Elías Torres Architects: http://www.jamlet.net/

projects/01_publicspace/PS10/index.html [accessed April 8, 2020]

 

Morris, William. & Morris, May. 1888. The Revival of Architecture, In The Collected Works of William Morris: With Introductions by his Daughter May Morris. London, New York: Longmans, Green and company.

 

OMA. 2016. Il Fondaco dei Tedeschi, department store. Glass, timber, steel. Venezia, Italy. ArchDaily: https://www.archdaily.com/789167/il-fondaco-dei-tedeschi-oma [accessed April 10, 2020]

 

Rusu, Vlad. 2012. Blaj Cultural Palace Rehabilitation, cultural events centre. Copper, steel, brick, plaster. Alba, Romania. EU Mies Award: https://miesarch.com/work/3642 [accessed April 8, 2020]

 

Sert, J.L, Léger, F & Giedion, S. 1943. Nine Points on Monumentality. Cambridge: Harvard University Press.

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Suh, Do Ho. 2003. The Perfect Home II, installation. Translucent nylon, stainless steel tubes, 280 x 610 x 1310 cm. Brooklyn: Brooklyn Museum.

 

Suh, Do Ho. 2014. Appartment A, Unit 2, Corridor & Staircase, 348 West 22nd Street, installation. Translucent nylon, stainless steel tubes. DesignBoom: https://www.designboom.com/art/do-ho-suh-new-york-apartment-contemporary-austin-10-05-2014/ [accessed April 4, 2020]

 

Taylor, Mark C. 2001.  The moment of complexity : emerging network culture.  Chicago, Ill. ; London :  University of Chicago Press.

 

Thomas, Lewis. 1990. A Long Line of Cells: Collected Essays. New York: Book-of-the-month Club.

 

Tresoldi, Edoardo. 2016. Metal Church, sculpture. Wire mesh. Siponto, Italy. Designboom: https://www.designboom.com/art/edoardo-tresoldi-puglia-wire-mesh-archeological-church-03-31-2016/ [accessed April 13, 2020]

 

Vizoso, Ferran. 2011. Church, church. Ethylene tetrafluoroethylene. Corbera d’Ebre, Spain. Divisare: https://divisare.com/projects/233700-ferran-vizoso-jose-hevia-huge-skylight-church [accessed April 13, 2020]

 

Weiwei, Ai.1995. Dropping a Han Dynasty Urn, three gelatin silver prints, 148 x 121 cm each. Melbourne: National Gallery of Victoria.

 

Weiwei, Ai. 2014. Ai Weiwei: Spatial Matters, Art Activism and Architecture. Cambridge: MIT Press (MA).

 

Whiteread, Rachel. 1993. Untitled (House), sculpture. Concrete casting. The Tate: https://www.tate.org.uk/whats-on/tate-modern/exhibitionseries/unilever-series/unilever-series-rachel-whiteread-embankment-1 [accessed April 4, 2020]

 

Yamamoto, Motoi. 2005. Utsusemi, sculpture. Salt, 300 x 600 cm. Fukuoka: Art Gallery ARTIUM.

 

Zumthor, Peter. 2007. Kolumba Museum, museum. Grey brick, timber, steel, glass. Cologne, Germany. DesignBoom: https://www.designboom.com/architecture/peter-zumthor-kolumba-museum-cologne-germany-rasmus-hjortshoj-07-26-2017/ [accessed April 8, 2020]

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